Slideshow

...about challenges.

What is there about a challenge that makes it irresistible? Wish I knew. Because I fall prey to every challenge that comes along. NaNo. Mini-NaNo. ScriptFrenzy. You name it, I have to take it on.

Recently, a friend in my critique group issued a writing challenge: write a 20,000 word novella, either romance or mystery, in 10 weeks. Very doable.

So I set aside my work on the rough drafts of Deep in the Valley and Scribbles (yet again) to take up the challenge.

As of now, my paranormal romance novella, Tugger's Down, stands at just over 17,000 words.

Take heart, Niall and Bridghe, Meg and Johnny -- I'll be getting back to you soon...

...about submissions

I've tweaked, corrected, rewritten and added subplots. I've polished, "washed behind the ears" of my two novels, and I think they may be ready for presentation to the public.
At least, I hope they are.


So. I wrote a query letter and a synopsis and compiled a list of agents. And ten submission packets are now sitting in slush piles somewhere in New York City. We'll see if they succumb to the slush or if they rise above it.

Meanwhile, I'll prepare the next batch of packets, and.....

Something is nagging at me. My unfinished sequel to "High on a Mountain" and my unfinished NaNovel from November 2007 have begun to jealously demand attention. So, I suppose I should give in, resume work on those two first drafts with one hand while the other hand assembles submission packets....

...about NaNoWriMo

Another November has come and almost gone, and with it, the opportunity to participate in a wild, crazy activity called NaNoWriMo (National Novel Writing Month, or, NaNo, for short). And, since I "did" NaNo this year, I now have 50,000 words of another novel, titled "Scribbles," "under my belt," so to speak.

NaNo, the brain-child of Chris Baty, is one of the best things to have happened to me as a writer since I began writing about two years ago. I was a total novice, feeling my way along in the writing dark, with fits and starts and stumbles. And then came NaNoWriMo, 2006.

I learned to throw writing caution to the wind, to forget about perfection, to forget about anything except getting words on the page. I thought at the time that what I was writing must be drivel, since I was writing so fast, allowing whatever came from the depths of my subconscious to splatter, raw and uncensored, onto the page (or, in my case, onto my computer screen).

But, wonder of wonders, when I went back and read it after I "won" the 50,000 word challenge, I found it wasn't as bad as I'd thought. I finished "...And Night Falls," tweaked and edited it, and had a readable tale to show for my experience.

Not bad for a month of frenetic typing, huh?
...about keeping up with a blog.

My blog entries tend to be few and far between. I'm dilatory about posting, because I post only when I have something to say.

When a number of things are going on in my life, they take up my time and my energies, leaving little left for writing an entry for my blog which few people are likely to read, anyway.

As a matter of fact, at the present time I'm finding it difficult to keep up with the writing I really must finish. I currently am tweaking novels I've finished (finished? ha!), writing the rough draft of another and preparing to outline yet another novel for NaNo. (I don't usually outline a novel, but I do when I'm going to participate in NaNo -- I have to get some elements in mind before I begin writing or I wouldn't have a ghost of a chance of finishing. Not that those elements appear in an outline -- or even in the story. My outlines are more of a "getting to know you" session with my characters.) Not to mention the screenplay I wrote in June which needs editing. Sigh.

So, writing an entry for my blog gets pushed down low on my list of priorities. Don't know when that list will change. Not in the foreseeable future, that's for sure.

...about critiques.

Writing is a solitary activity.

I retreat to a quiet place, put on my music, don my earphones, find that "door" in my mind, open it and let the story out.

However, the product of writing, for most writers, is intended to be read and enjoyed by others. That's the reason the real work in writing revolves around editing, rewriting, cutting, adding and tweaking to make the story appealing and enjoyable.

When I write, I have an emotional investment in my story, in my characters, in my words. As one respected member of my writer's group says, we writers love our words and are loathe to cut any from a WIP (sometimes, I find that it's the word or phrase I'm most in love with that most needs cutting).

That's why critiques from other writers are so valuable. Other writers don't have the emotional investment in my work that I do. They can see if it's interesting, moving, or if it slogs along too slowly. They can pinpoint areas that need work, that need clarification -- the point I may have intended to get across (and thought I did get across) may not be apparent to others. Critiquers can let me know that my point is missing-in-action, that it needs to be made in another way so that the reader gets it.

Good critiques are a valuable, sometimes painful, sometimes affirming, part of producing the best story I can write. And will help give me the best chance that my novels will be enjoyable to read and will, therefore, be read.

...about Script Frenzy.

I did it! I completed the Script Frenzy 20,000 word challenge today. Whew!

My screenplay, Crawdads and Co-colas, is not complete yet, there are a couple of scenes that need to be written, but I reached the 20,000 word requirement today. As I did with NaNo, I'll take a short break, catch up on some things and then finish it.

And then, I'll edit it. And edit it. And edit it.

I know myself, I know my history. I will edit, and edit, and edit....

...about screenplays.

A screenplay is not a short story, although it tells a story.

And it is not a novel, although it shares some common elements, i.e., characters, a plot, scenes, dialogue, description.

Having written two novels and several short stories, I made the assumption that writing a screenplay would be no problem. As a matter of fact, I had read advice from writers who assure other writers that it's easy to make the transition, and that novels are harder to write. "If you can write a novel, you can write a screenplay," they said.

Really? Hmmm.

I'm just over a week into the Script Frenzy challenge, and I can't say I agree with that advice. Right now, anyway. My screenplay, "Crawdads and Co-colas" is developing v-e-r-y s-l-o-w-l-y. Part of the reason, I think, is the formatting. The other part is, it's just a different animal, one I'm not accustomed to.

But, talk to me in July. I may have changed my current opinion by then.

...about insanity.

I have to be insane. Yes. That's the only explanation that makes sense.

When I wrote my murder mystery, ...And Night Falls, during NaNo, I'd never tried that genre before. And I said when I was finished with it, after the dust settled, never, NEVER again would I write a mystery. Too much work. Too much like being a juggler, so many elements to keep in the air at the same time, without dropping any of them. I also recognized the folly of writing an untried genre in a high-pressure situation like NaNo. Never again, I said. And meant it. At the time.

So. I have signed up to participate in Script Frenzy 2007. And my genre? You guessed it: it's a mystery. But not just any old mystery. No. I, in a fit of self-punishment, have allowed my brain to develop a mystery/comedy.

What's the matter with me? Have I taken leave of my senses? Am I totally insane?

Ah, well. Please spare a pitying thought for me over the next 30 days as I struggle through the experience of learning to write a screenplay. And a mystery/comedy screenplay, at that.

Arghhh!!

...about cornbread.

I don’t know who came up with the idea of putting sugar and eggs into perfectly good cornbread and ruining it, but, I have a bone to pick with that person. After all, a soft, crumbly, sweet substance is not bread…it’s cake. And who wants to eat cake alongside beans, potatoes, collard greens and fried green tomatoes?

Certainly not I.

Cake has its place, of course: at the end of a good meal with a steaming cup of dark roast coffee.

But cake is just not up to the task of accompanying a mouthful of beans and bite of raw onion, washed down with a big swig of sweet tea. It takes a good, solid chunk of buttered cornbread, broken from a round, cast-iron-frying-pan-baked pone of crusty, savory, stick-to-your-ribs cornBREAD to stand up to the likes of satisfying fare such as that.

...about word count.

When I participated in the NaNoWriMo challenge last November, the important thing was word count. Don't worry about the plot, the characters, the advice went, as long as the word count is advancing properly.

As a matter of fact, the originator of NaNo has published a book, "No Plot No Problem." In it, he stresses the importance of just writing. Get that word count moving up. And up. And up.

And he's right, I think. As long as you have words down on paper (or on screen, as the case may be), you have something to work with, something to edit, to knead, to work into shape, into a story.

So, in spite of all the roadblocks I'm encountering in my drive to increase my word count in this personal "MayNo" I've undertaken, I continue to slog along. I suppose I'm hoping that I'll soon have a burst of energy that will occur simultaneously with a reduction of demands on my time, and that I'll get my word count moving in the right direction.